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Paro Anand |
Read up, the first part of Paro Anand, author of 'Like Smoke'. She writes at top speed, I can tell you that much, but I am going to let you in on another secret. This Interview was a brilliant one, because I got hold of it within 24 hours of sending in the questions, and for that, I thank you, Ms Anand :). Okay, I should have put it up then itself, but I didn't and for that you have my deep rooted apology, my Readers.
So, here it is. I won't go on and on. But you definitely have a Second Part coming up, and it is as good as this one, Folks...
How did ‘Like Smoke’ happen? Could you describe the journey?
Some
books are a journey that you don’t even know you are on. Others happen in a
sharp, short moment. ‘Like Smoke’ was the latter.
It was soon after the terrible events of 9/11, I was in a school, standing on a
balcony. From below came the sounds of a group of children talking loudly about
it. One child said, on top of her voice, “I
hate Muslims.” I was shocked. There was no apology, not even the faintest
attempt to lower voice. And no one refuted her, in fact, they all agreed. I
peeped over the parapet, the remark was so casual, but at the same time so full
of actual hate.
As I watched, I could clearly make out that at least one child
on the periphery was probably Muslim. But no one had even thought about what he
may feel. All the others thought it was perfectly alright to say such a thing.
Like the proverbial thorn in my side, this sentence, “I hate Muslims,” jabbed
at me, at my conscience. I knew this was something I was going to have to
write. But maybe, I didn’t have the words, or the courage to do it right away.
But the more I waited, the worse the thorn became.
Because
I could see that it was growing day by day. One
heart, one careless word at a time. Obviously, these were thoughts and
words coming to the children’s ears via their parent’s mouths. I couldn’t wait any longer. And so begins the book – with
those terrible words.
There are nineteen other stories here, but this is the one that
set the tone.
Could you describe how they came about… a couple of them that are
most important to you, in particular?
So
one of course, I’ve shared above. 'This is Shabir Karam...' is co-authored by my ‘adopted’ son, Shabir. This is by and large his real
story. He needed it, wanted it told. And so, I built a world around his words
and here it is. Shabir was in a workshop conducted by the Rajiv Gandhi
Foundation in Kashmir, so this story and several others such as ‘Like Smoke’, ‘Those Yellow Flowers of
August’ are inspired by my work with young people there.
'Hearing my own Story' actually takes root in another story, another book. That story,
Babloo’s Bhabi is about domestic violence. Almost every time I would and do
tell that story, I notice that one or two children are deeply shaken, it is
obvious that they witness violence in their homes. So why not just drop it?
Because
the deep positive impact that it has on the group as well. I think it is very important for such a taboo subject to
be brought out and discussed and then the listener/reader be empowered to
realize that they do not have to be helpless bystanders, but can be agents of
change.
What according to you is different about your book?
Amongst
the best compliments, I have ever got is that I am
a fearless writer to tell the truth to children. This is a collection of
truths (except, probably ‘Like Father Like Son’, which is just for the fun of
it).
Truths of what children go through whether it is the huge ugly
truths of violence or the seemingly silly problems like poor body image, that
are enormous to the teen.
I
also think this is the most complete collection of short stories that I have
written, because, as I say in the foreword, you
don’t have to read it start to finish, “pick it up every now and then and read
the story that catches your eye, scratches your itch…”
How would you relate the lives of characters to the lives today? Any
similarities?
I
think teens the world over, and over generations,
all face certain impactful moments like feeling they are ugly, or having their
aspirations trampled upon, or standing up to bullies. Then there are some new
challenges like what people face in Kashmir – well, not new, but certainly,
uncommon.
Are they influenced by people you meet in real life or do they just
come to your head?
Because
I work with young people, whether in privileged
urban surrounds, or more challenging ones, through my program ‘Literature in
Action’, I am deeply influenced and inspired by them.
In
fact, I don’t think I could really write without my
work face to face with kids, and I don’t think I could work with kids if I
didn’t write. So, its two sides of the same coin really.
What was the most challenging part about writing this book?
Finding
a balance, so that the book was not too grim or too heavy. I wanted it to be more rounded. And, also keeping in mind
that these were short stories. I had got into the rhythm of novels.
Of
course, as any writer will tell you, it’s the discipline, the stealing of time.
I wrote much of this book sitting in traffic jams.
(I am not doing the driving, mind!) It’s what I call ‘riding the jam’
Who was it that told you that you could become the author, you are
today?
Plan
A was to become a rock star, but other than remember all the lyrics, I couldn’t
sing. Plan B was to work with wild animals, but I couldn’t find a job. Plan C
was to be an actress.
When A and B fell through I tried C, but got a job as a drama
teacher. I couldn’t find any scripts that I really loved that were Indian, so I
started writing them. That’s how I fell into writing. Rather like Alice down
the hole.