Krishna Udayasankar |
This is only the first part of this interview, the second
part is coming up. Meanwhile, you can check for the Review,
right here, and if you want to Buy
the Book, that is right here, too...
Aryavarta Chronicles has begun a long time ago. You
have now reached its end. Could you describe the journey? How does it feel,
now?
Tired. Relieved. Sad too, that it is over. In a
strange way, I feel blank, and sometimes don’t know what to do with myself.
Initially, it was relaxing to feel that way, but only for a few days.
Sometimes, I look at the three books as the sit on my shelf and wonder how on
earth it all happened – it feels like I can’t remember details, anymore.
I think these reactions are probably going to change
over time, especially as I sink my teeth into new projects, but right now, that
is how I feel!
‘Govinda’, ‘Kaurava’ and ‘Kurukshetra’, your trilogy
came out along with a number of mythological novels. What according to you, was
different about them?
I think the readers are in a better position to
answer this question, but I personally want to believe that The Aryavarta
Chronicles present a complete, congruent story-world, one which relies neither
on magic nor on anchronism and the use of modern technology to explain events.
It is a story of its time, told in context of
the politics and society of that time. It is not mytho-fiction but rather, mytho-historical
fiction.
The way you have described ‘The Gita’ was
commendable. How did you manage to touch upon the relevant factors and how was
the experience?
Thank
you. Of all that I’ve written in these three books, the Gita was the toughest
part! The challenge was to not only convey the
philosophy of the Gita in a rational and systematic manner, but also to connect
it to the context of the larger story. Even so, the final version that you now
see in print did not come in till the last moment, when my editor and I were
going over page proofs!
What kind of
research did you put into ‘Kurukshetra’?
It has been a
cumulative research process across all three books, but yes, the details of
warfare in ‘Kurukshetra’ meant going deeper and wider into research.
It is one
thing to imagine that the war happened the way we’ve seen it on TV – with fancy
armour and CGI-special effects flying arrows, but it is another to articulate
all that in a more realistic way.
I particularly wanted
to bring out elements of battle-strategy and manouveres, and not just focus on
the heroes and their fights – that involved going into warfare over the ages
and across geographies, to understand the how it was done and why.
How would you
relate the lives of Uttara and Abhimanyu to the lives today? Any similarities?
I think Uttara and
Abhimanyu are probably the most ‘modern’ characters in the book, in terms of
their attitude and behaviour, and so they are easy to relate to.
How would you
relate the book and its characters, besides the two mentioned earlier, to the
lives today?
The books are about
social change and revolution – and that topic is as current today as it was
millenia ago. There’s also a strong emphasis on
what we might today call human rights – essentially human dignity and
self-determination, as well as on issues of hierarchy and oppression, based on
many dimensions, including gender.
As for
the characters – well, what some of them say and do are things we ought to say
and do in today’s world, including showing compassion and standing up for
others’ rights.
Which is your
favourite character besides Govinda and Panchali? Why?
Shikandin. He’s probably
the most level-headed, steady character in the whole series; he’s rock solid
and dependable, not to mention that his quiet self-assurance mixed with a hint
of tragedy is quite sexy!
He’s
absolutely best friend material, my choice of character to sit down and have a
coffee or a beer with.
What was the
most challenging part about writing the trilogy, now that it is done?
The most challenging part was seeing the story arc
evolve across the length of three books. Honestly, I didn’t always know the
exact details of what would come later when writing an earlier, but would have
to just trust in the story, in the logic that I believe must underlie all
events, to keep things tied together.
What are the most fulfilling parts, now that you
have managed to release all the three novels?
It was seeing things fall into place, plotwise. It was also very gratifying to see research bear out some
of logical deductions and conclusions I arrived at while writing the story.
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