Chhimi Tenduf-La |
An incredible book, 'The Amazing Racist' to read over a weekend. And an extremely interesting author, Chhimi Tenduf-La, to read about this weekend. If you can understand, some of the things he says and means, then you have achieved it. I will not write anymore, as I think the review said it all. But, this contains only the first part, for the second part, you should catch my blog, on Friday.
So, here goes the Interview : Part I. The Review is right here and also, you can Buy the Book, right here, as well.
How
did ‘The Amazing Racist’ happen? Could you describe the journey?
I wrote
a 40,000 word novella in about two months, with very little planning. When I sit
down at my computer, I just type away and then read back my work that evening
to see what I have said. If I like it, I keep it, if I don’t I trash it.
In
March of last year, I sent in a draft to the great agent, Kanishka Gupta and his
publishing consultant, Neelini Sarkar who advised that I lengthen it and make
it less rushed. We worked together for a few weeks and then it was sent in to
publishers. By May, we had a few to choose between, but ultimately we went with
Amish Raj Mulmi at Hachette India because he seemed most passionate about it. I
then did an edit with him, which was enormous fun.
In
fact, the whole process has been incredibly enjoyable and rewarding and it’s
now wonderful to be appearing on your fantastic blog.
How did the main character, Eddie Trusted come about? How much of
you, was in there?
He
shares a number of my experiences, my job, my love of my daughter and some of
my hobbies, but not my personality. I think, if I had based him on myself, I
would have been cagier about showcasing his weaknesses.
What according to you is different about your book?
I wanted to write a book accessible to people who
are not always big readers; short, snappy, humorous and not overly descriptive.
I am not saying I succeeded in this, but that was my aim.
I also wanted to write a book that would feel
familiar to people in this part of the world; everyday places, everyday life. A
number of reviewers and friends have told me they read it in one sitting. That
makes me feel good, because I am a big movie fan and wanted this to be an
experience, like that.
Which particular character did you feel most close
to? Why?
Thilak. Although he is ostensibly racist, sexist,
manipulative, flawed and unable to express love, he has heart.
Also, he uses humour as a defence mechanism, which
is something I am accused of. Yet, the reason I feel close to him is because
his good parts are based on my late father who I miss greatly, especially since
my daughter never met him. So, this is maybe, why the relationship between
Thilak and his granddaughter is so central to this story. It is as if I subconsciously wrote about what
could have been. I know my father, if he
were alive, would have wanted to spend all his time spoiling my daughter.
How
did you come up with the core idea and develop it?
I wanted
to write a fish-out-of-water story. A foreigner thrown into an alien culture
and family. Yet, although I am a foreigner in Sri Lanka I have been here so
long that I feel like an insider, so this is maybe why Eddie fits in quite
easily.
Ultimately,
this was meant to be an odd couple story; two men who should hate each other but
bond because they share one common love. I see this as an analogy of this
incredible country. There are factions within the country who think they should
not get on, but they share a common love for the country and thus should be on
the same page.
What was the most challenging part about writing
‘The Amazing Racist’?
I didn’t find anything particularly challenging, as
I loved the whole experience. I write for fun, so I honestly do not see
anything as a challenge. If I thought something was not working in the story, I
was thrilled and excited about trying to fix it. After all, it’s not like I had
to fix this for anyone but myself initially, so there was no pressure.
I think I would have been stressed about writing
another book if Kanishka didn’t sell two of my novels at much the same time.
That gave me some breathing space.
How did the political and social background of Sri
Lanka affect your writing?
I tried to avoid the war because that pops up in
most Sri Lankan fiction. I wanted to show the uniqueness of the country and its
people beyond the war, but ultimately I found it impossible not to make mention
of the troubled times.
My intention was to give a satirical insight into
the political situation; the ridiculous number of cabinet ministers at that
time, the bribery and corruption and also the obsession with skin colour and
what others think. These things are common to all societies but more obvious in
this part of the world.
Could
you tell the readers about your experiences and how it was related to what you
wrote?
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