Supriya Sehgal |
Read
up, Interview with Supriya Sehgal, author of 'A Tigress called Machhli and Other True Animal Stories from India'. This interview is a treat!
In this interview, she tells us, how the entire book first happened, how she got her personal story and managed to combine it with the subject of the book, what inspired her to start writing this book, and how her way of thinking has changed, since she first started travelling and writing, there is more coming up, Folks...
How did ‘A
Tigress called Machhli and other True Animal Stories from India’ first happen?
Having been in the travel writing space for a decade, I always
wanted to write something for children that married travel and a sense of
inclusivity. The original idea was to write something that would bridge the
north-south divide – food, culture and appearance wise.
But that seemed a bit patronising and I thought of the many unique
animal-human relationships, I had seen on the road. Giving it a simple and
slightly humorous spin was my editor, Nimmy Chacko’s idea. She is the one who
steered the messaging and the humour in the book.
How did you bring out your
personal story and combine it into the entire subject?
That was
pretty natural, as I have met almost all the protagonists in the book or have
interviewed them on phone over ten tears. When you’ve actually travelled or
have experiences (childhood) to tap into, then, the combining is pretty easy.
I have some
more stories on the same topic in the kitty – but we had to be conscious that the
book wasn’t leaning to a particular kind of animal (read, dogs) :)
What kind of research was put into the writing of this book?
Since I have personally met most of the people and animals
featured in the book, it was really primary research. In some cases, it was
based on phone interviews. The historical nuggets were researched from
secondary resources.
What according to you is different about your book?
It has been our effort to not make the book pedantic, but keep it
engaging for the children and also, strike empathy in them. Plus, it has a
clear travel angle by mentioning the destinations and backdrop.
I think the book has been able to find that balance, which makes
it different. It’s not an instructive travel or animal book.
Any advice to
writers that would like to be published today? How tough is it to be published?
My advice would be to be flexible about your topic,
if you are completely new in the arena. The publishing houses and editors tend
to know the audience better if you are not familiar with the genre.
For example, this is my
40th or so book, but only the second directed to children (the first
was a story, as part of an anthology). I was happy to get insights from the Hachette
team and the end product is much better than what I had imagined.
On getting published, I had it easy,
but the writing world is much more democratic now. Publishing houses are also
looking for good content that would make commercial sense. Pitch away!
What has
inspired you to start writing this book?
My desire to
influence young travelers to see India with a compassionate eye was the
original idea. The fact that I could include animals in it was an added
advantage.
How has your
way of thinking changed since you first started travelling and writing?
I think my
travels earlier were much more pure and agenda-less. Since most of my travel is
for commercial projects, there is a work slant almost all the time.
However, I
think I have learnt to pace things rather than dash in - dash out. Writing certainly
compels you to be present to the simplest of situations, dig for stories and
take in the place more deeply.
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