Murli Melwani |
He also tells us, the most challenging and fulfilling parts of the story, what according to him was different about the book, and more is to come in the next part of this interview, Folks…
How
did ‘Ladders against the Sky’ happen? Could you describe the journey?
The journey
began with my travels. As a student, I joined the
excursions arranged by our college. In addition, I travelled on my own to
different parts of India.
Later,
when I worked for an export company in Taiwan, my work involved travel to
various parts of the world. These stories are a gift of my travels.
What
according to you is different about your book?
Two things. One, half the stories are about Sindhis. I wanted to show
the human aspect behind the stereotypes that the popular mind carries about
Sindhis, both in India and overseas.
Two,
the other stories are about how the contradictory strands of science and
superstition, tradition and modernity are intertwined in the lives of Indians
and how this paradox impacts life in India.
What
kind of research was put into the writing of this book, especially with so many
varied stories?
My observations
during my travels were my research. The writer in
me noted the displacement, Indians overseas had to work through and the
cultural adjustments they had to make.
In
India, I saw, with pain, the conundrums that the various layers of traditions
imposed on its modernity - oriented inhabitants.
How
would you relate the lives of your characters to the lives, today? Any
similarities?
Since my stories
have grown out of my observations of people and places, they are realistic. For example, two stories deal with human sacrifice in
India. Who would imagine that such a thing would happen in the 21st
century, yet is exists.
Since there are
23 stories in the collection, each story presented its own challenge.
In
one, the question was how to structure the story. In another, how to weave in
the atmosphere without losing the emphasis on character. In a third, at what
point should the story open: towards the middle to grab the reader’s attention
and then go into the back story, or begin at the beginning? In a fourth, should
dialogue or narration carry the story forward or how to balance dialogues and
narration.
In
brief, technique was the biggest challenge.
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